
My husband Javier ‘s birthday party was in full swing when our four-year-old daughter, Lucía , gently tugged on my skirt. Blue balloons hung from the living room ceiling, and there was a pleasant buzz of laughter, soft music, and the clinking of glasses. I was chatting with some of Javier’s colleagues when Lucía’s warm, small hand made me bend down.
” Mom, Mom,” she whispered, pointing toward the terrace where an elegant woman was conversing with a group of guests. “That’s the lady with the worms.”
I burst out laughing automatically, thinking my daughter was saying one of her usual witty remarks. But the laughter froze in my throat when I looked at her: her big, brown eyes were completely serious. There was no trace of playfulness.
“The lady of the what?” I asked quietly, still smiling politely.
” From the worms ,” she repeated, very slowly, looking at me as if she didn’t understand why I didn’t see it as clearly as she did.
I followed the direction of her finger. The woman was Clara , an architect Javier had mentioned several times, always casually, always in connection with some project. She wore a dark green dress that fit her like a second skin and had the smile of someone who felt at ease in any environment.
“Honey,” I said to Lucia, “that doesn’t make sense. What do you mean?”
Lucía moved even closer and, as if revealing something forbidden, murmured:
” Dad told me not to tell anyone. That it was our secret. But the lady has worms… here ,” she pointed to her wrist. ” She says Dad has them too.”
I felt a shiver run down my spine. It was a primal instinct, something beyond reason, but it compelled me to look at Clara again. I saw nothing, of course. And yet, there was something about Lucía’s words that didn’t sound like childish fantasy. There was a weight behind them, an echo that unsettled me more than I cared to admit.
“What worms?” I asked, my voice still low, but now tense.
Lucia pursed her lips, as if remembering a specific instruction.
” The ones that get inside ,” he said. “The ones that sting if you tell them no.”
My heart leapt. I glanced toward the terrace at that moment and saw Clara leaning toward my husband. Javier was laughing; she was too. A laugh that was too synchronized. Too comfortable.
“When did Dad tell you that?” I asked, swallowing hard.
Lucia shrugged, as if it were obvious.
— When we went to her “secret house.” And he pointed at Clara again.
The room seemed to lose its breath. Suddenly, the voices, the music, the laughter… everything became distant, blurry. And I understood that that sentence, uttered by a four-year-old girl, had just opened a door that could not be closed.
The following days I moved like a shadow within my own house. I didn’t confront Javier immediately; something inside me urged me to remain calm, to observe, to strategize. Lucía’s words echoed in my mind: “The secret house .” And Clara. Always Clara.
I started noticing the details. How Javier arrived later than usual, how he left his phone face down, how he showered as soon as he walked in. I had no proof… but I had signs. And a daughter who didn’t lie.
One afternoon, when Javier supposedly left for a meeting, I looked for his jacket. My hands trembled as I checked the pockets. Among receipts and keys, I found a card: “Estudios Áurea — Arquitectura y Rehabilitación” (Aurea Studios — Architecture and Rehabilitation) . Clara’s name was written on the back, along with a number and an address.
I took a deep breath. I could call. I could go. I could confront her. But I decided to do something quieter: ask Lucía again, without pressuring her.
“Sweetheart,” I said as we played with wooden pieces, “do you remember when you went to that house with Dad?”
Lucia nodded as she fitted blocks together.
—Yes. The one that smells like paint.
-Paint?
—Yes. And dust. And there was a bed on the floor. Dad said it was for resting when he had a lot of work.
I felt a knot in my stomach. That didn’t sound like an office. And it certainly didn’t sound like a professional visit.
“And the worms?” I asked gently.
Lucia shrank back, uncomfortable.
“Mrs. Clara said they were like worms… but not really. That they were things that move here”—she touched her wrist—”when you do bad things.”
Her innocence made the story even more unsettling. Guilt , I thought. Guilt . Clara, in an attempt to mythologize something to explain it to a child. A relationship? A shared secret?
I decided to act. The next day I asked for time off work and took a taxi to the address on the card. It was an old building on a narrow street in the center of Madrid. I rang the doorbell: Estudio Áurea . No one answered. I peeked through the gate and saw it ajar as the delivery man was leaving.
My heart was racing as I ran up the stairs. The studio was empty. Tables, blueprints, cardboard boxes with material samples. But at the far end, there was a door ajar. I pushed it open.
It was a small room. A single bed on the floor, without sheets. Men’s slippers. A perfume I knew all too well: Javier’s.
I felt my legs giving out.
As I turned to leave, I heard footsteps in the hallway. I froze. The door opened fully.
Clara was there.
She looked at me as if she had been waiting for me.
“I knew you’d end up coming,” she said, without a hint of surprise. “Your daughter spoke up, didn’t she?”
The air became unbearably heavy.
I couldn’t say a word. Clara, on the other hand, seemed terribly calm. She crossed her arms, leaning against the doorframe.
“It’s not what you think,” he began.
I let out a bitter laugh.
—Enlighten me then. Because my daughter mentioned a “secret house,” a bed on the floor… and worms. What on earth does that mean?
Clara took a deep breath and gestured for me to come out into the hallway. She closed the door behind us.
“I’m not having an affair with Javier,” she said firmly. “But yes… he’s been hiding something from you.”
I felt a jolt. I didn’t know whether to believe her, but she continued:
“Javier isn’t well. He’s been coming here for months. Not with me,” she clarified, “but alone. He says he needs a place far away from everything. Sometimes he spends hours lying down without saying a word. Other times he cries. I was worried. But I didn’t know how to talk to you without betraying him.”
The information hit me like a ton of bricks. It wasn’t what I expected. And yet, it didn’t exactly alleviate anything.
“And the worms?” I asked.
Clara frowned, as if she remembered something uncomfortable.
—That… it just slipped out one day in front of Lucía. I told her that when you keep bad things inside, like secrets that hurt you, it’s like having worms in your veins. It was a clumsy metaphor. I didn’t think she’d take it so literally.
Suddenly, everything started to make sense. Clara wasn’t the mistress. She was, in a way, someone who had seen a side of my husband I didn’t know existed.
“Why is there a bed?” I asked.
—Because sometimes he gets so agitated that he can’t drive. And he doesn’t want you to see him like that.
The lump in my throat was unbearable.
—And why didn’t you tell me?
Clara lowered her gaze.
“Because she’s ashamed. Because she thinks she has to be strong all the time. And because she thinks that if she admitted she needed… this”—she gestured to the room—”she would disappoint you.”
I didn’t know what to feel. Anger. Sadness. Guilt. It was all there, mixed up and chaotic.
I staggered out of the building. I needed air, perspective, something. And when I got home, I found Javier sitting in the living room, his hands covering his face.
He looked at me as soon as I walked in.
“Clara called me,” he said. “You already know everything.”
I stood in front of him.
“I don’t know anything,” I replied. “Because you haven’t told me. Tell me the truth.”
Javier breathed shakily.
“It’s not infidelity. It’s… anxiety. Attacks. I couldn’t sleep. I didn’t want you and Lucía to see me like this. Clara offered me her studio as a place to take refuge. I… accepted. But I should have told you. I know.”
The tension in my chest eased a little. Not because it was easy to forgive, but because I finally had something concrete in my hands: the truth.
I sat down next to him.
“We don’t need secrets,” I told her. “No hidden houses. No worm metaphors. We need you to talk to me.”
He nodded, with silent tears.
And for the first time in a long time, I felt that something was beginning—not to break—but to repair itself.
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